Apsara Cultural Show & Dinner Buffet
Enjoy a Khmer Dinner Buffet and & Apsara Show. A Khmer classical dance created by the Royal Ballet of Cambodia in the mid-20th century under the patronage of Queen Sisowath Kossomak. The apsara is played by a woman, sewn into tight-fitting traditional dress, whose graceful, sinuous gestures are codified to narrate classical myths or religious stories.
Apsaras represent an important motif in the stone bas-reliefs of the Angkorian temples in Cambodia (8th–13th centuries AD), however all female images are not considered to be apsaras. In harmony with the Indian association of dance with apsaras, Khmer female figures that are dancing or are poised to dance are considered apsaras; female figures, depicted individually or in groups, who are standing still and facing forward in the manner of temple guardians or custodians are called devatas.
Angkor Wat, the largest Angkorian temple built (1116–1150 AD), features both apsaras and devata, however the devata type are the most numerous with more than 1,796 in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm as seen at left) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period. Some devata appear with arms around each other and seem to be greeting the viewer. “The devatas seem to epitomize all the elements of a refined elegance,” wrote Marchal.
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